2023

[SXSW Review] RAGING GRACE | Nightmarish Conjurings

SXSW Review: APPENDAGE | We Who Walk Here

[SXSW Review] EYESTRING | Nightmarish Conjurings

[In Theaters Now!] Scream VI (2023) | Daily Grindhouse

Sundance Review: ‘Kim’s Video’ | Film Cred

birth/rebirth // A Feminine take on the Frankenstein story | Horror Movie Blog

[Sundance Review] SOMETIMES I THINK ABOUT DYING | Nightmarish Conjurings

[Sundance Review] IN MY MOTHER’S SKIN | Nightmarish Conjurings

[Sundance Review] RUN RABBIT RUN | Nightmarish Conjurings

Film Review: SKINAMARINK | We Who Walk Here

[Movie Review] CANDY LAND | Nightmarish Conjurings

2022

Review: ‘Wednesday’ Season 1 | Film Cred

Film Review: THE HARBINGER | We Who Walk Here

[Movie Review] THE CURSE OF BRIDGE HOLLOW | Nightmarish Conjurings

[Documentary Review] THE HORROR CROWD | Nightmarish Conjurings

Film Review: WHO INVITED THEM | We Who Walk Here

[Frightfest 2022 Review] THE EYES BELOW | Nightmarish Conjurings

[Movie Review] FALL | Nightmarish Conjurings

[Movie Review] THE REEF: STALKED | Nightmarish Conjurings

Review: ’18 1/2′ | Film Cred

Tribeca Review: A WOUNDED FAWN | We Who Walk Here

Film Review: REVEALER | We Who Walk Here

[Movie Review] GATLOPP | Nightmarish Conjurings

Film Review: SCARE ZONE | We Who Walk Here

Film Review: MAD GOD | We Who Walk Here

[Movie Review] THE PASSENGER | Nightmarish Conjurings

Film Review: THE SADNESS | We Who Walk Here

Review: ‘Candy’ | Film Cred

[Review] Hypochondriac | Hear Us Scream

[PANIC FEST] THE OUTWATERS Review – A Masterful Found Footage Death Dream | Slay Away

[Film Review] Vampyr (1932) | Ghouls Magazine

TV Review: UNDONE Season 2 | We Who Walk Here

Film Review: VIRUS :32 | We Who Walk Here

Film Review: STANLEYVILLE | We Who Walk Here

[Review] Grimmfest Easter: Ghosts of the Ozarks | Hear Us Scream

Review: ‘Russian Doll’ Season 2 | Film Cred

[Grimmfest Easter] THE WOMAN WITH LEOPARD SHOES Review: A Clever Microbudget Noir | Slay Away

Film Review: SEE FOR ME | We Who Walk Here

[SXSW 2022] Ti West’s ‘X’ Is an Unusually Affecting Thesis on the Changing Tide of American Culture | Daily Grindhouse

‘You Are Not My Mother’ Is an Eerie New Debut on the Folk Horror Scene | Daily Grindhouse

NO EXIT Review – A Taut, Mean Thriller | Slay Away

[SXSW 2022] ‘Jethica’ Is a Captivating Golden Hour Ghost Story | Daily Grindhouse

SXSW Shorts Reviews, Part 2 | We Who Walk Here

[SXSW 2022] ‘Slash/Back’ Is a Fun and Affecting Portrait of Heritage Through the Lens of a Creature Feature | Daily Grindhouse

SXSW Shorts Reviews, Part 1 | We Who Walk Here

[SXSW 2022] ‘The Kids in the Hall: Comedy Punks’ | Daily Grindhouse

SXSW Review: THE CELLAR | We Who Walk Here

Glasgow Film Festival Review: ASHGROVE | We Who Walk Here

Glasgow Film Festival Review: MONSTROUS | We Who Walk Here

SXSW Review: DEADSTREAM | We Who Walk Here

Film Review: THE LONG WALK | We Who Walk Here

Film Review: THE SEED | We Who Walk Here

Film Review: SHEPHERD | We Who Walk Here

Film Review: HELLBENDER | We Who Walk Here

Film Review: TEXAS CHAINSAW MASSACRE | We Who Walk Here

HATCHING Review – Sundance Film Fest | Slay Away

Sundance Review: ‘Piggy’ | Film Cred

[Movie Review] STUDENT BODY | Nightmarish Conjurings

Film Review: BORIS KARLOFF: THE MAN BEHIND THE MONSTER | We Who Walk Here

Slamdance Film Festival Review: HONEYCOMB | We Who Walk Here

Sundance Film Festival Review: MASTER | We Who Walk Here

Sundance Review: ‘A Love Song’ | Film Cred

Film Review: THE LAST THING MARY SAW | We Who Walk Here

2021

[Movie Review] AUTUMN ROAD | Nightmarish Conjurings

[Film Review] Meander (2020) | Ghouls Magazine

[Movie Review] VAL | Nightmarish Conjurings

[Nashville Film Fest] FAYE Is a Provocative, Tour-de-Force, One-Woman Show for the Post-Pandemic Age | Daily Grindhouse

Review: ‘Midnight Mass’ | Film Cred

Film Review: MARTYRS LANE | We Who Walk Here

Review: ‘Shelf Life’ | Film Cred

[Dances With Films Review] A GOOD COUPLE | Nightmarish Conjurings

[Review] NO MAN OF GOD Demythologizes the Cult of the Serial Killer | Daily Grindhouse

Film Review: JAKOB’S WIFE | We Who Walk Here

Review: ‘Blood Red Sky’ | Film Cred

[Film Review] The Toll (2020) | Ghouls Magazine

CFF Review: ‘My Heart Can’t Beat Unless You Tell It To’ | Film Cred

[In Theaters Friday!] WEREWOLVES WITHIN (2021) | Daily Grindhouse

[Movie Review] GAIA | Nightmarish Conjurings

Film Review: CAVEAT | We Who Walk Here

[Movie Review] FUNHOUSE | Nightmarish Conjurings

[Film Review] A Ghost Waits (2020) | Ghouls Magazine

[Film Review] As Above, So Below (2014) | Ghouls Magazine

[Movie Review] THE TUNNEL | Nightmarish Conjurings

[Movie Review] THE BELIEVER | Nightmarish Conjurings

[Cinequest 2021 Review] THE YELLOW WALLPAPER | Nightmarish Conjurings

Film Review: DEMENTER | We Who Walk Here

[Slamdance Review] THE LITTLE BROOMSTICK RIDER | Nightmarish Conjurings

Irresistible Revulsion: Dissonance and Horror in “The Cat with Hands” | We Who Walk Here

2020

[TV Short Review] A RECIPE FOR SEDUCTION | Nightmarish Conjurings

[Movie Review] HUNTER HUNTER | Nightmarish Conjurings

Review: ‘Scare Me’ | Film Cred

[Movie Review] MINOR PREMISE | Nightmarish Conjurings

Film Review: ANYTHING FOR JACKSON | We Who Walk Here

[Movie Review] WANDER | Nightmarish Conjurings

[Blu-ray/DVD Review] BACK TO THE FUTURE: THE ULTIMATE TRILOGY | Nightmarish Conjurings

[Movie Review] ECHO BOOMERS | Nightmarish Conjurings

Film Review: THE GIANT | We Who Walk Here

Nightstream Review: ‘Breaking Surface’ | Film Cred

Review: ‘No Escape’ | Film Cred

[Movie Review] DON’T LOOK BACK | Nightmarish Conjurings

Film Review: THE MORTUARY COLLECTION | We Who Walk Here

[Movie Review] CHOP CHOP | Nightmarish Conjurings

[Sitges Short Film Review] THE PAINTED | Nightmarish Conjurings

Review: ’12 Hour Shift’ | Film Cred

Salem Horror Fest Review: ‘The Witches of Hollywood’ | Film Cred

Salem Horror Fest Review: DEATH DROP GORGEOUS | We Who Walk Here

Film Review: THE CLEANSING HOUR | We Who Walk Here

Salem Horror Fest Review: ‘The Last Thanksgiving’ | Film Cred

Film Review: TEN MINUTES TO MIDNIGHT | We Who Walk Here

[Series Review] MONSTERLAND | Nightmarish Conjurings

[Movie Review] LET’S SCARE JULIE | Nightmarish Conjurings

[Nightmarish Detour Review] 2067 | Nightmarish Conjurings

Review: ‘Violation’ | Film Cred

Salem Horror Fest Review: BLACK LAKE | We Who Walk Here

Film Review: SPIRAL | We Who Walk Here

Review: ‘Buoyancy’ | Film Cred

[Movie Review] ALONE | Nightmarish Conjurings

TIFF 2020 Review: GET THE HELL OUT | We Who Walk Here

[Movie Review] EVIL UNDER THE SKIN | Nightmarish Conjurings

[Fantasia Digital 2020 Review] DON’T TEXT BACK | Nightmarish Conjurings

Film Review: CAMP CALYPSO | We Who Walk Here

[Movie Review] THE OWNERS | Nightmarish Conjurings

[Fantasia Digital 2020 Review] SUSPENSE | Nightmarish Conjurings

Review: ‘Words on Bathroom Walls’ | Film Cred

[Movie Review] SPREE | Nightmarish Conjurings

[Movie Review] LAKE MICHIGAN MONSTER | Nightmarish Conjurings

[Movie Review] HOST | Nightmarish Conjurings

[Web Series Review] DON’T LOOK DEEPER | Nightmarish Conjurings

[Movie Review] THE TENT | Nightmarish Conjurings

[Miniseries Review] EULLENIA | Nightmarish Conjurings

Home Invasion on a Cosmic Scale: THE BEACH HOUSE and the Terror of Not Belonging | We Who Walk Here

2019

Movie Review: ‘Satan’s Little Helper’ | We Who Walk Here